乌克兰这座女子监狱，允许怀孕的受刑母亲生子育婴，在监管下享天伦之乐。 此规定亦有限制，当婴孩满三岁，若母亲未出狱，孩子无人领养，将移送孤儿院。 列莎因杀人判刑七年，如无减刑，母子分离就在眼前。 导演以107位服刑母亲访谈为底，混合专业演员与真实狱囚、狱警，着重聆听与观察，再现独特封闭环境。

本片取材真实故事，讲述女受刑人带着年幼婴儿一起服刑，但孩子年满三岁就得送往孤儿院，获得威尼斯影展地平线单元最佳剧本。

Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.

哲明の祖父、戦争のころ来日した韓国人の松江勇吉（劉忠植）。その祖父の最期の言葉は「哲明バカヤロー！」だった… 　　祖父、そして家族が歩んできた歴史を、孫（在日三世）の視点でたどる笑いと涙の記録。

長年漂泊在外的男子，搭上一列返鄉的火車，再次踏上熟悉的街道。即將被查封的老舊眷村，獨自居住在空蕩祖厝的弟弟，塵封已久的回億漸漸顯影。本片不只描繪男子疏遠親故的愧疚之情，也銘記著某片走入歷史的風景。

Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.

哲明の祖父、戦争のころ来日した韓国人の松江勇吉（劉忠植）。その祖父の最期の言葉は「哲明バカヤロー！」だった… 　　祖父、そして家族が歩んできた歴史を、孫（在日三世）の視点でたどる笑いと涙の記録。

Jerzy Kawalerowicz的首部剧情长片。 　　http://en.wikipedia.org/wiki/Jerzy_Kawalerowicz 　　http://ent.sina.com.cn/m/f/2008-01-02/09171859377.shtml 　　1951 GROMADA / THE VILLAGE MILL (director and screenwriter with Kazimierz Sumerski). A conflict between smallholders and the miller and kulaks during construction of a mill which is meant to serve all the local residents. A socialist-realist tale of changes in rural Poland. Awards: 1952 - special mention for directing at the Karlovy Vary IFF.

原明莉（藤原纪香 饰）是一名在白鸟宝石精品店里工作的店员，和店里的会计师迅人正在交往中。原明莉和迅人都暂时没有想要结婚的念头，同时原明莉自己知道，她对于这家店来说，只不过是一个随时都可以被替代的花瓶而已。已经29岁的原明莉，无论是爱情还是事业，都陷入了深深的迷惘之中。 　　在同学会上，原明莉意外的邂逅了曾经的恋人阿兰（大泽隆夫 饰）。此时的阿兰已经结婚成家，他幸福的样子令原明莉的心里很不是滋味。当原明莉得知阿兰虽然已为人夫，但是和妻子并没有小孩后，竟然萌生了将阿兰抢回自己身边的念头。

原明莉（藤原纪香 饰）是一名在白鸟宝石精品店里工作的店员，和店里的会计师迅人正在交往中。原明莉和迅人都暂时没有想要结婚的念头，同时原明莉自己知道，她对于这家店来说，只不过是一个随时都可以被替代的花瓶而已。已经29岁的原明莉，无论是爱情还是事业，都陷入了深深的迷惘之中。 　　在同学会上，原明莉意外的邂逅了曾经的恋人阿兰（大泽隆夫 饰）。此时的阿兰已经结婚成家，他幸福的样子令原明莉的心里很不是滋味。当原明莉得知阿兰虽然已为人夫，但是和妻子并没有小孩后，竟然萌生了将阿兰抢回自己身边的念头。